Gospel of John: Lesson 2:
Chapter 1
Bible
Study, 17 February, 2013
Faith Mennonite Church,
Twin Cities, MN
Lesson
2: Two Creations
Sacred Scripture far excels all other knowledge and teaching. It sets forth what is true; it calls readers to the heavenly country; it changes the hearts of readers from earthly desires to embrace things above; by its obscurer statements it exercises the strong and by its humble strain speaks gently to the little ones; it is neither so shut up that it should be dreaded nor so open to view as to be contemptible; use of it does not weary: the more it is meditated on the more it is loved; by its lowly words it assists a reader’s mind and uplifts it with lofty meanings; in a way it grows with the persons reading it; uninstructed readers find it familiar and yet the learned find in it something always new.
~(Gregory, Morals on Job, Bk. 20, 1:1) from Never the Same Bible Twice, Joseph Komonchak, Commonweal Magazine, 15 Feb, 2013, http://www.commonwealmagazine.org/blog/?p=23295.
The contemplation of Christ's face cannot fail to be inspired by all that we are told about him in Sacred Scripture, which from beginning to end is permeated by his mystery, prefigured in a veiled way in the Old Testament and revealed fully in the New, so that Saint Jerome can vigorously affirm: "Ignorance of the Scriptures is ignorance of Christ".8 Remaining firmly anchored in Scripture, we open ourselves to the action of the Spirit (cf. Jn 15:26) from whom the sacred texts derive their origin, as well as to the witness of the Apostles (cf. Jn 15:27), who had a first-hand experience of Christ, the Word of life: they saw him with their eyes, heard him with their ears, touched him with their hands (cf. 1 Jn 1:1).APOSTOLIC LETTER NOVO MILLENNIO INEUNTE OF HIS HOLINESS POPE JOHN PAUL II TO THE BISHOPS CLERGY AND LAY FAITHFUL AT THE CLOSE OF THE GREAT JUBILEE OF THE YEAR 2000
Two Creations: The
Dordrecht Confession of 1632:
I. Of God and the Creation
of all Things
Since we find it testified that without faith it is impossible to
please God, and that he that would come to God must believe that there is a
God, and that He is a rewarder of them that seek Him; therefore, we confess
with the mouth, and believe with the heart, with all the pious, according to
the holy Scriptures, in one eternal, almighty, and incomprehensible God, the Father,
Son, and Holy Ghost, and in none more, nor in any other; before whom no God was
made or existed, nor shall there be any after Him: for of Him, and through Him,
and in Him, are all things; to Him be praise and honor forever and ever, Amen. Hebrews 11:6; Deuteronomy 6:4; Genesis 17:1; Isaiah 46:8; 1 John 5:7; Romans 11:36.
Of this same one God, who worketh all in all, we believe and
confess that He is the Creator of all things visible and invisible; that He, in
six days, created, made, and prepared, heaven and earth, and the sea, and all
that in them is; and that He still governs and upholds the same and all His
works through His wisdom, might, and the word of His power. 1 Corinthians 12:6; Genesis 1; Acts 14:15.
And when He had finished His works, and had ordained and prepared
them, each in its nature and properties, good and upright, according to His
pleasure, He created the first man, the father of us all, Adam; whom He formed
of the dust of the ground, and breathed into his nostrils the breath of life,
so that he became a living soul, created by God in His own image and likeness,
in righteousness and holiness, unto eternal life. He regarded him above all
other creatures, endowed him with many high and glorious gifts, placed him in
the pleasure garden or Paradise, and gave him a command and prohibition;
afterwards He took a rib from Adam, made a woman therefrom, and brought her to
him, joining and giving her to him for a helpmate, companion, and wife; and in
consequence of this He also caused, that from this one man Adam, all men that
dwell upon the whole earth have descended. Genesis 1:27; Genesis 2:7, 17, 18, 22.
IV. The Advent of Christ
into This World, and the Reason of His Coming
We believe and confess further, that when the time of the promise,
for which all the pious forefathers had so much longed and waited, had come and
was fulfilled, this previously promised Messiah, Redeemer, and Savior,
proceeded from God, was sent, and, according to the prediction of the prophets,
and the testimony of the evangelists, came into the world, yea, into the flesh,
was made manifest, and the Word, Himself became flesh and man; that He was
conceived in the virgin Mary, who was espoused to a man named Joseph, of the
house of David; and that she brought Him forth as her first-born son, at
Bethlehem, wrapped Him in swaddling clothes, and laid Him in a manger. John 4:25; 16:28; 1 Timothy 3:16; John 1:14; Matthew 1:23; Luke 2:7.
We confess and believe also, that this is the same whose goings
forth have been from of old, from everlasting, without beginning of days, or
end of life; of whom it is testified that He Himself is the Alpha and Omega,
the beginning and the ending, the first and the last; that He is the same, and
no other, who was foreordained, promised, sent, and came into the world; who is
God's only, first and own Son; who was before John the Baptist, before Abraham,
before the world; yea, who was David's Lord, and the God of the whole world,
the first-born of every creature; who was brought into the world, and for whom
a body was prepared, which He yielded up as a sacrifice and offering, for a
sweet savor unto God, yea, for the consolation, redemption, and salvation of
all mankind. John 3:16; Hebrews 1:6; Romans 8:32; John 1:30; Matthew 22:43; Colossians 1:15; Hebrews 10:5.
But as to how and in what manner this precious body was prepared,
and how the Word became flesh, and He Himself man, in regard to this we content
ourselves with the statement pertaining to this matter which the worthy
evangelists have left us in their accounts, according to which we confess with
all the saints, that He is the Son of the living God, in whom alone consist all
our hope, consolation, redemption, and salvation, which we neither may nor must
seek in any other. Luke 1:31, 32; John 20:31; Matthew 16:16.
We are going to
switch gears a bit in order to make things a bit more approachable and
interactive.
Our schedule will
be amended to more closely resemble the following:
a.
Week 1:
Introduction
b.
Week 2:
Two Creation Stories – Genesis and John
c.
Week 3:
Two Weddings – Cana and Ecclesia
d.
Week 4:
Other Narratives: The Feminine
and the Queer (Samaritan and the Blind Man)
Dealing with the
creation stories, we have the obvious unity of phrases… Genesis 1:1 begins with
“In the Beginning…”, likewise, John
1:1 opens with “In the Beginning…”. Yet, these two creation stories could not be
more different. The Genesis narrative
relates the beginning of the material creation, the material universe. John takes us up into the realm of the
spiritual (remember the sign of the Eagle?).
Importantly, my background readings indicate that the Jewish mystics
combine the two, but for our purposes, we are going to stay within the
Christian tradition while noting a few potential Jewish influences through the
work of Michelangelo Buonarroti, namely the Sistine Chapel.
Take a moment and
look at the poster of the Sistine Chapel.
Important for our understanding of the role of this building is the
current resignation of Pope Benedict XVI.
The Sistine Chapel is the location of the enclave wherein or whereby the
new pope will be elected sometime next month (March). This chapel, more than any other location, is
the center, the power, the symbol of the Papacy.
As Mennonites, we
do not recognize the authority of the Bishops of Rome, and yet, we are
currently in dialogue with the Lutherans, Roman Catholics and ourselves to
foster greater understanding between our churches over the doctrine of Baptism
– another theme we will encounter in this chapter.
Michelangelo, a
gay man, was commissioned by possibly a gay pope to paint frescoes on the
ceiling of this great chapel. He was
chosen.
Interestingly, the
chapel, formerly known as the Palatine Chapel, was refurbished in 1481. Writers claim that the Sistine Chapel was
built to the dimensions of the Holy Temple of Solomon in Jerusalem, conveying a
sense of successionism – a concept
that would later become a central concept to the Reformation – though debate
would center around the extent to which the Mennonites admitted of cultural and
religious ties to the Roman Church.
Successionism was
seen first in the succession of frescoes created on the walls of the chapel –
one paralleling the establishment of the Law of the Old Testament and the
second paralleling the establishment of Grace in the New Testament – one the
life of Moses, the second, the life of Christ.
In corresponding order, Blech and Doliner indicate them as:
The Discovery of Baby
Moses in the Nile The
Birth of Jesus in the Manger
The Circumcision of
Moses’s Son The
Baptism of Jesus
Moses’s Anger and His
Flight from Egypt The
Temptations of Jesus
Parting of the Red Sea Miracle
of Jesus on the Water
Moses on Mount Sinai Jesus’s
Sermon on the Mount
Revolt of Korach Jesus
Passing the Keys to Peter
Last Discourse and
Death of Moses Last
Supper of Jesus
Angels Defending the
Grave of Moses Jesus
Resurrected from the Tomb
We also see three lines of legacy heritage
dealing with the personhood of Jesus – the genealogies (omitted by John), the
Hebrew prophecies – attested to by John the Baptist, and the Pagan (non-Hebrew/
non-Christian) prophets or sibyls – possibly intimated by John the use of the
term logos. Though as we noted, the term logos had
powerful connotations in both Greco-Roman philosophy and in traditional Hebrew
mysticism. The Greeks understood the
Logos to entail truth and the telos or end of all things. The Hebrews had two pertinent concepts of the
Logos or Word – being the creative power or God and being the powerful name of
God, not spoken or written, being sacred and conveying the holiness and power
of God.
Down the central plane of the ceiling, we
see depicted the creation of the world.
Again, writers indicate that Michelangelo went beyond the intentions and
desires of the Pope in this design and we will be eternally speculating as to
why.
At present, there is a huge push to see
Jewish references and mysticism conveyed within symbols and images of the
ceiling. As to why would be idle
speculation, but the best recommendation is that the Renaissance Humanists were
attempting to reconcile the best of thought from the Greeks, the Romans, the
Jews, and possibly even the Muslims.
Michelangelo may have been merely placing the Jews and Christ’s heritage
back into perspective, though this is again, not unlike John’s program in the
Gospel – he introduces Christ, names him by many names. Michelangelo bears witness to Christ’s
membership in the House of David, his prophetic appearance in the prophets, and
even in the pagan mysticisms.
John takes similar pains to trace Jesus’s
identity and authority back through the first chapter of John. Warren Wiersbe tracks John’s themes as
follows:
I.
Jesus is the Word
II.
Jesus is the Light
III.
Jesus is the Son of God
IV.
Jesus is the Lamb of God
V.
Jesus is the Messiah
VI.
Jesus is the King of Israel
VII.
Jesus is the Son of Man
Where Michelangelo
conveys the witness of the Old Testament Prophets and the pagan sibyls, John
relates the spiritual testimony of individuals that Christ is God, the Messiah:
1.
John the Baptist (John 1)
2. The
Holy Spirit (John 1)
3. Nathanael
(1:49)
4. Peter
(6:69)
5. Blind
Man (9:33-38)
6. Martha
(11:27)
7. Thomas
(20:28)
8.
Christ Himself (5:25; 10:36)
Being consecrated in the
Sistine Chapel is to be empowered with the authority and spiritual quickening
of the Papacy, to receive the Keys of Heaven, the Petrine Authority and
responsibility for the Great Commission (both direct and as fishers of
men).
I do not feel it
stretching the text to read the baptism of Christ by John in much the same
way. We have in the first chapter, the
commissioning, the empowering and the spiritual “quickening” or indwelling of
that authority (I am not claiming that it was absent, only that the dove bore
public witness of it at this time through the voice of God.)
Many skeptics question
the extent to which Michelangelo hid encoded spiritual messages in his
ceiling. Of course he did. It was common practice to do so at the time. The frescoes sponsored by the Medici family
along the walls were full of politicized messages painted by Botticelli and
others against the church and against the de Rovere family of Popes. Dan Brown correctly identifies such practices
in his books, only he probably arranges them conveniently for his books.
Christ/ John’s Gospel
does the same thing. Jesus was both Son
of God and Son of Man. Yet, the Jews and
his disciples (minus the aforementioned few) often interpreted his life and
teachings in the most simple, physical manner.
Wiersbe points out times where Christ deliberately confronts their lack
of understanding and tendency to see things only literally: Temple of His Body (2:19-21), Nicodemus and
the New Birth (3:4); Samaritan Woman and Living Water (4:11); Eating His Flesh
(6:51); Spiritual Freedom (8:30-36); Death as Sleep (11:11-13).
From an art perspective,
one could say that Michelangelo and John were showing the literal fulfillment
and embodiment of the signs while indicating the true meaning behind those
signs. Interestingly, much of the Jewish
commentary on Michelangelo’s ceiling discuss how inappropriate it was write of
such mysteries from the Jewish perspective, let alone to paint a figure of
God.
In this sense, John the
Baptist and Jesus were taking on a lot of risk in their respective
ministries. The Baptist was severely
questioned by the authorities. Christ’s
trials and witness would occur later in the book, beginning with the Marriage
of Cana, which we will see next week, introduces an important trope into
Christ’s teaching – the Spiritual marriage.
Regardless, back to John
1 and Michelangelo’s ceiling:
The central panels show
the creation story. Michelangelo was not
commissioned to paint the ceiling beyond the basic “facts” of the building’s
sponsorship – simple geometric patterns and coats of arms. Like the Evangelist, Michelangelo needed to
reach beyond and to convey the greater truths.
He did this by painting within the center, the mystical “Middle Path” of
knowledge, the first two divisions of the Hebrew Scripture – the B’resheet of
“the Beginning” and that of “Noah”.
Just as John would
employ the Titles of Christ as images, Michelangelo employed figures that
demonstrated his belief in the knowledge or wisdom of Judeo-Christian rational
religion.
(Discuss notes from
articles)
Wiersbe and the South African literary critic, T.C. Voortman, both
echo the theme of Creation as found in John.
Day 1: John 1: 19-24
The interrogation of
John the Baptist by the Jews
Who
was John the Baptist?
What
was he up to?
Why
did he Baptize Jews?
One could prompt for their replies.
Day 2: Lamb of God
(1:29-34)
John the
Baptist is still identifying Christ – As the Lamb
3 Aspects:
Old Testament
is the Question, “Where is the Lamb?”
The Four
Gospels state “Here is the Lamb!”
The glorified Church will sing “Worthy is
the Lamb!” in Revelations
Day 3: The Sabbath
(1:35-42)
Neither John
the Baptist nor Jesus Christ rested on this Sabbath.
John
Preached
Christ
Gathered followers
Christ asked
“What are you seeking?” Forcing them to
define their goals and to refine their understanding.
Day 4: Son of Man
(1:50-51)
Jesus reveals
himself to his six disciples – is is the living link – Jacob’s ladder of Gen 28
(John 14:6) and the Messiah (John 12:34)
Wiersbe fails to flesh out his teaching on the Creation
week of John, merely ending it with the Wedding Day at Cana – a disappointing
gap in Evangelical exegesis.
Voortman is content with a simpler structure. Rather than following the days of the week
specifically, he follows the creative actions:
1:1 – Jesus
Christ the Creator-Agent is introduced (Just as God would be the I AM, Christ
is the Eternal Word) “In the beginning…”
1.3 – The
Creator made all Things (Throught Him all things were made…”)
1.4 – The
Creator is the Source of Life
In hHims was life…”
In hHims was life…”
1.5 – The
Creator has Come to Give Light to the World
“The
Light Shone in the Darkness”
1.10 – The
Creator Made the World (Cosmos)
“The
World was made through Him…”
1.10b – The
Creator is Rejected by his own Creation
“Yet
the world did not recognize Him…”
1.13 – The
Creator gives New Life
“Children
born of God.”
1.14 – The
Creator becomes Man and Lives amongst his Own Creation (Sabbath)
Interestingly, I find that Voortman’s Creation Themes seem
to align more completely with the themes of both Bres-heet portrayed by
Michelangelo.
I think that the biggest question is the extent to which
John is indicating the Creation-story in light of Spiritual knowledge and
Michelangelo is dealing with humanist knowledge to the exclusion of
spirituality.
A question
that I posed to Jim, based on the art history record is the division between
the disciples according to their calling – some were seekers after Christ, some
were called out by Christ and others would follow but desert. Jim recommended that we see this reflected in
the Parable of the Sower.
My question
is the extent to which this also refers to the ministries of the churches. As a persecuted minority church, the
Mennonites have spent much more intellectual energy merely proving that they
were orthodox – a harmless one of many, rather than aspirants to spiritual
dominion or holders of the specific truth of Christ. We hold an ethnic Christian calling – but it
is an ethnicity based on blood, mind and heart – just as Christ is the ethnic
heir of the kingdom of Israel, but his bloodline is mixed between physical
descendants of Abraham, Spiritual descendants and intellectual heirs. But each person and each church has its own
calling, its own gifts, its own path and its own historical struggles.
The Disciples:
“Each man’s
experience id different, because God uses various means to bring sinners to the
Savior. The important thing is that we
trust Christ and then seek to bring others to Him.” P 288
A final
theme that could be developed more is that of Baptism. Interestingly, as we speak, theologians and
doctors from the Mennonite Church – USA, the Lutherans and the Vatican are
meeting to discuss the differences in how we understand, approach and practice
baptism. I find these seminars to be
more informative rather than effective.
An
historical theme to note is that John the Baptist teaches that he baptizes with
water, but Christ baptizes with the spirit.
I wonder after the extent to which Mennonites need to first meet and
reflect on our own concepts of Baptism before we “present” the same old dogmas
to our fellow Christians.”
In the
Russian Mennonite world, you have two groups of people – those who are baptized
by immersion into the experience of Christ’s Life, Death and Resurrection,
those who are baptized by sprinkling into the Spiritual baptism and identity
with Christ, and those who are immersed into the spiritual baptism.
Some
interesting resources for those desiring to follow the latest inter-faith
dialogues on the topic should read:
Isaac Peters
– On Baptism (1878)
Menno Simons
– Reply to Gellius Faber (1554)
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